Turks and Greeks come together, even if on TV screens

The unprecedented popularity of the Turkish TV series ‘Yabancı Damat’ (Foreign Groom), featuring an intercultural love affair between a Greek man and a Turkish woman, seems to have opened the way for more intercultural stories on TV

“Greeks learn Turkish by watching TV series,” was the headline of a recent article in Hürriyet Daily News, alluding to the increasing popularity of Turkish series in Greece in the recent years. Muhteşem Yüzyıl (Magnificent Century), the historical drama about the court of Süleyman the Magnificent that is broadcast with the title The Magnificent Suleiman in Greece, and “Sıla” have been the most popular series in Greece this fall.

Another indication of the popularity of Turkish series in the neighboring country are the dozens of Facebook pages and groups with names like Greek fans of Turkish series or Turkish series on Greek TV, with pictures of Turkish heartthrobs like Kenan İmirzalıoğlu and Kıvanç Tatlıtuğ splashed over the pages. But perhaps the extent of the popularity of Turkish series can best be seen in some of the backlash in Greece. Thessaloniki Metropolitan Bishop Anthimos recently warned his followers, saying “No one should watch Muhteşem Yüzyıl,” the metropolitan said, according to daily Hürriyet. “By watching Turkish series, we tell them that we have surrendered.”

Similarly, Greek TV actress Nikoleta Karra sent an angry Twitter message last month to Greek channels for broadcasting Turkish series instead of Greek Cypriot ones. The popularity of Sıla was the object of Karra’s outrage. “’Sıla’ in the morning, ‘Sıla’ in the afternoon. ‘Sıla’ 24 hours a day. Enough! We’ve made so many shows in Greek Cyprus. Why won’t Greek channels air Greek Cypriot shows?” read her Twitter message.

While there may be some animosity against the ubiquity of Turkish series in Greece from a few nationalistic voices, the popularity is not fleeting given the similarity of two cultures. In fact, TV producers in Turkey seem to be well-aware of the fact that including Greek culture and some Greek characters into their shows might be a way to delver further into the Greek market.

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Highly effective ways of self-help books in Turkey

Publishing industry have been feeding on the frustrations of middle class, leading to a meteoric rise of self-help and personal development books

A recent Turkish movie playing in theaters follows the adventures of a hapless guy trying desperately to better his luck to no avail. In Kamil Çetin’s Oğlum Bak Git (Dude, Move It), protagonist Orhan finds the ultimate solution to finding happiness and luck in consulting a self-help guru.

As a comedy hoping to appeal to a mainstream audience, it’s fair to say that the discourse of self-help, or personal development, has become an integral part of pop culture in Turkey. One look at the top 20 best-selling books on the bookseller D&R’s website shows as many as six books that offer advice, solutions and inspiration to readers who are presumably leading frustrating and unfulfilling lives.

Beki İkala Erikli’s Meleklerle Yaşamak (Living with Angels) asks its reader to open their heart to the miracles of their guardian angels. İskender Pala’s Aşka Dair (On Love) talks about the different stages of love and in Mesnevi Terapi (Masnavi Therapy), Nevzat Tarhan offers ways to apply Rumi’s teachings and wisdom to everyday life.

In fact, the self-help and personal development genre takes the biggest slice of the publishing pie in Turkey, with more than 20 percent of all sales. There are around 2,000 books published within the genre in Turkey to date, with publishers like Dharma, Optimist and Elma specializing only in the self-help and personal development books. The Turkish translation of Robin Sharma’s international bestseller The Monk Who Sold His Ferrari reached one million readers a decade ago.

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Incest: The last taboo in Turkish cinema and TV

The recent controversy around a Turkish film dealing with incest reminded many of a similar brouhaha over another film on incest two years ago, as well as Deputy Prime Minister Bülent Arınç’s warning to TV producers to keep incest away from screens

Red flags were raised amid media delirium last week when the head of the jury for a national film festival openly condemned a movie on moral grounds, allegedly threatening to ban the movie from entering the national competition.

The festival was the Golden Orange Film Festival, the biggest one in Turkey. The head of the jury was the ever-controversial Hülya Avşar, who had made headlines in the summer when a member of the jury resigned in protest over her selection, questioning her judgment and knowledge of film.

The film, which became the most talked-about film of the festival, was director Çağatay Tosun’s sophomore feature Derin Düşün-ce (a word play that could mean “Deep Thought” or “When Derin Falls,” referring to the little protagonist’s name). And the controversial subject matter was incest, a no-go area in Turkish cinema, television, literature and pop culture.

At the film’s center is the 8-year-old girl, Derin. Growing up in a broken, dysfunctional family, Derin knows nothing about being a child. After her mother’s death, she tries connecting with her father in every possible way, which includes encounters with sexual undertones. At the film’s premiere, some of the audience apparently went berserk, with some accusing Tosun’s film of “bordering on child porn.”

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Turkish documentaries expose environmental mishaps

As Turkish-German director Fatih Akın’s anticipated environmental documentary, ‘Polluting Paradise,’ hits the theaters, we take a look at other recent Turkish documentaries that hope to expose potential ecological disasters in Turkey

Following a special screening at this year’s Cannes, another one at the recent Golden Boll Film Festival and a showing in front of a Turkish audience at the hip film fest Filmekimi, Turkish-German director Fatih Akın’s anticipated documentary, Polluting Paradise (Der Müll im Garten Eden), hits theaters this week.

The paradise in question is Akın’s hometown, Çamburnu, a small mountainous town along the eastern shores of the Black Sea. The beautiful environment and its nature were threatened when the former copper mine right above the village was turned into a garbage landfill for the entire province of Trabzon by the government in 2007.

Akın learned about the potential environmental disaster when he was filming scenes for his 2007 feature Auf der Anderen Seite (Edge of Heaven). In Polluting the Paradise, he documents the struggles of the residents and those working in the landfill over a period of five years, as well as the impact of the garbage on the streams, not to mention an overpowering stench in the area.

The film is less an objective documentary and more a passionate plea to stop the impending environmental catastrophe for the town and its people. And it seems that Akın’s plea seems to be working.

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Surge of films on Gallipoli Campaign

This week’s release of ‘Çanakkale Çocukları’ (The Children of Gallipoli) is just the beginning of a surge of films focusing on the Gallipoli Campaign of 1915

The Gallipoli Campaign, or the Battle of Çanakkale, is at once one of the most tragic battles of the 20th century and one of the greatest victories of modern Turkey. The attack of the Allied Forces in World War I to capture the Dardanelles, (the Çanakkale Strait), resulted in a huge defeat and lead to the death of more than 130,000 Turkish, British, French, Australian, New Zealand and Indian troops in eight months.

The campaign helped the Turks regain a confidence that would eventually inspire the Turkish War of Independence and the founding of modern Turkey eight years later. The centenary of the Gallipoli Campaign is just around the corner, and moviemakers look set to cash in on the nationalist tendencies invading Turkish cinema and TV screens in recent years.

Most of the recent historical dramas are examples of crude nationalism, most clearly seen in the recent box office smash Fetih 1453 (Conquest 1453) - an epic tale of the Ottoman conquest of Constantinople - or the hit TV series Muhteşem Yüzyıl (Magnificent Century), depicting the power games in the 16th century court of Süleyman the Magnificent. Even the upcoming adaptation of the 1960s comic book Karaoğlan features a young Turkic hero during the reign of Genghis Khan in 12th century Central Asia.

It is therefore no surprise that a big production on the Gallipoli Campaign is hitting theaters this week and another is on its way in less than a month. Çanakkale Çocukları (Children of Gallipoli) is directed by popular filmmaker Sinan Çetin. More a one-man-show than an auteur, Çetin directs, produces, writes and is the cinematographer of the war drama, while his wife and two sons star.

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Neşet Ertaş, 'Plectrum of the Steppe' passes away

An inspiration to generations of musicians and music-lovers thanks to his fresh take on the centuries-old Anatolian musical tradition, Turkish folk master Neşet Ertaş loses his battle with cancer

The message welcoming visitors to the official website of legendary folk singer and poet Neşet Ertaş seems even more heartbreaking today. “Dear beloved fans,” reads the message, originally from his Twitter account dating Sept. 18. “Rumors of my passing have been circulating once again. These rumors are making me very upset.”

Sadly, the rumors are now no longer rumors. Fans and lovers of Ertaş’s music woke yesterday morning to the sad news that he had lost his battle with cancer. He had been in the intensive care unit of a hospital in İzmir for the last two weeks. Ertaş was 74.

Ertaş’s inviting voice, accompanied by the strings of his bağlama, had made him a modern-day “aşık,” the traveling bard of Anatolian Alevi tradition of centuries, a historic image personifying Anatolian folk music.

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Remembering the ‘Sun of Art’

On the 16th anniversary of his death, Zeki Müren continues to stand tall as a legendary figure in pop culture. A career of over 200 records, films, concerts, spanning over 45 years, is only the tip of the phenomenon

It’s been 16 years today since Zeki Müren, Turkey’s “Sun of Art” and the “Paşa of pop culture,” died in İzmir at the TRT studios, the very institution that had kick-started his musical career half a century earlier.

Müren might just be the most interesting figure modern Turkey has seen in its short history. He was a singer, a songwriter, a composer, a published poet, a performer, an actor, a designer and an illustrator. He was also a visionary, an innovator and a revolutionary. Whatever Müren was, he sure was always larger than the sum of his parts.

Müren’s career in music began in 1951, when he recorded his first album and began performing on the state radio station Istanbul Radyosu. In 1955, he became the first Turkish singer to win a Gold Disc for a record that included the famous song Manolya. Having been chosen as Artist of the Year for many years, Müren made over 200 records and composed over 100 songs in the 45 years of his artistic career. His acting career began around the same time, with his debut feature of 1953, Beklenen Şarkı (Anticipated Song), starring opposite the legendary actress Cahide Sonku, becoming an instant success, and opening the way for a movie career of 18 films, Müren writing the score for some of them as well.

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Islamist salvation makes way to prime time with TV series

The popularity of the new TV series, ‘Huzur Sokağı (Serenity Street), adapted from a ‘salvation novel,’ is reviving a four-decade old Islamist narrative in Turkey’s pop culture: salvation stories

Tune in to Turkish TV channel ATV’s popular new series, Huzur Sokağı (Serenity Street), to get a taste of how the never-ending debate over the public presence of Islam is reflected in pop culture. Read some of the comments made about the series by prominent columnists and writers, and you’ll get a feel of how the debate has evolved (and continues to evolve) in the last four decades.

Huzur Sokağı is an adaptation from Şule Yüksel Şenler’s bestselling novel of the same name, published first in 1970 and has been reprinted more than 100 times since then. The novel is one of the most popular examples of the “hidayet romanları,” or the salvation novels, that brought a new impact onto the literary scene in the 1980s.

The common theme of the salvation novel was a journey from the debauched ways of a secular/Western life style to salvation through the acceptance of Islam. As in many of the salvation novels, Huzur Sokağı features a young man idealized by his display of Islamic values, a perfect specimen of the hard-working, honest and loving family member.

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1980 coup, in the eyes of filmmakers

It is over three decades since the military overthrow of the Turkish government on Sept 12, 1980, but the repercussions have been inspiring filmmakers ever since

This week marks the 32nd anniversary of the 1980 coup, which kick started a military regime that would put 7,000 people in prison, execute 50, and have all opposition silenced for a long time to come.

The Sept. 12, 1980 coup also inaugurated a period when Turkish cinema was silenced almost into non-existence, even going as far as to the burning of rolls of films. Arrests and imprisonments were common, with movie stars such as Tarık Akan and filmmakers such as Şerif Gören and Ömer Uğur serving their fair share of prison time.

Featuring the coup and its aftermath as the subject of a movie was unthinkable in the early 1980s. However, with filmmakers living through the direct consequences of the oppressive regime, the coup eventually became a regular subject. Now, a new movie exploring the coup and its aftermath hits the theaters every couple of years.

The first feature film to deal directly with the haunting effects of the coup was Zeki Ökten’s Ses (The Voice) of 1986. The film starred Tarık Akan as a young man who moves to a coastal town to start a new life after spending years in prison. Akan himself became familiar with prison life in the years following the coup.

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Orhan Kemal’s works still in demand decades later

Orhan Kemal was a modernist pioneer of the Turkish novel whose works continue to be relevant more than half a century on. Producers cannot seem to get enough of his works, with two new adaptations

The frustrations of the working class, the changing face of feudal Turkey, the crippling effects of patriarchy over women and men, the ever-fascinating appeal of untamed chemistry between the sexes. All of these themes are the go-to material for TV producers trying to create the next best TV series in a period where dozens of new shows replace dozens of others.

All of these themes are at the core of Orhan Kemal’s novels and stories. Kemal is one of the greatest of Turkish writers and a modernist pioneer of the Turkish novel. His realist novels on class differences and the poor in Turkey left their mark on a period spanning two decades after the early 1950s, now called the Golden period in Turkish literature.

Meeting another great literary name, the “romantic revolutionary” Nazım Hikmet, in prison in the early 1940s had a profound effect on Kemal’s literary direction and social politics. He began writing poetry and stories, eventually trying his craft in novels and plays.

Kemal was one of the first authors to write about the working class, the alienation of immigrants in big cities, mass urbanization and the changing social structure of Turkey after World War II. He shed a realist light and took a brutal look at poor people living in dignity. Kemal’s stories, novels and plays also lent a voice to working-class women for perhaps the first time in modern Turkish literature.

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