Michelle Pfeiffer'ın gençliğe vedası

50 yaşını tamamlayan Pfeiffer’ın mesleğini yaşından dolayı bırakan bir fahişeyi canlandırdığı ‘Cheri,’ sadık Pfeiffer izleyicileri için de bir dönüm noktası oluşturuyor

Cheri’nin ilk 10 dakikasından filmin son karesine kadar, Michelle Pfeiffer’ı izlediğimiz her sahnede anlayamadığımız bir hüzün çöküyor üzerimize. 20. yüzyılın ilk yıllarının ihtişamla tanımlanan Belle Epoque döneminin Fransa’sında, kendine güvenle taşıdığı kabarık elbiseler ve şapkalarla girdiği her yeri aydınlatan Lea’nın 50 yaşında, mesleğini bırakmış bir fahişe olduğunu öğreniyoruz. Hala güzel, hala bakımlı olan Lea, hayatında yeni bir sayfa açarak, artık çalışmadan Altın Çağ’ın tadını çıkarmaya karar veriyor.

Zamanın daha acımasız davrandığı meslektaşı Madam Peloux’nun (Kathy Bates) isteğiyle, bu kadının 19 yaşındaki oğluna yaşam enerjisi verme ve hayatı öğretme gibi dinamiklerine pek hakim olmadığımız bir görevi kabul ediyor. Lea, tatlım, cicim gibi bir anlama gelen Cheri (Rupert Friend) olarak hitap ettiği bu genç adamı şehir yaşamından uzaktaki evine ve yatağına alıyor. Lea’nın yaşam deneyimi ve kontrolü, Cheri’nin gençliğiyle birleşiyor ve ikili kendilerini altı yıl devam edecek bir ilişkinin içinde buluyorlar.


Jessica Lange yaşlandı, sıradaki?

Toplum kuralları bir şekilde Lea ve Cheri’nin ilişkilerinin sonunun gelmesi gerektiğini söylüyor. Gerçekte ise, iki ayrı yaş dönümünün getirdiği çatışma birbirlerini seven çifti uzaklaştırıyor. Cheri temelde, güzelliğiyle para kazanmış, varoluşunu gençliğiyle tanımlamış bir kadının tüm bunlara gururla ve olabilecek en az duygusal hasarla veda etmeye çalışma çabalarını anlatıyor.

Filmin ikinci yarısında, içindeki duygusal fırtınaları mükemmel bir şekilde maskeleyebilen Lea’nın yaşadıklarına hüzünleniyormuşuz gibi gözükse de içten içe başka bir şeyin bizi sarstığını fark ediyoruz. Lea gençliğine veda ederken, sadık Michelle Pfeiffer izleyicileri olarak, 1980’lerden beri beyazperdede izlediğimiz bu güzel oyuncunun da gençliğine veda ettiğini fark ediyoruz.

Harrison Ford’u 60 yaşında Indiana Jones yapmaya devam eden, ama benzer yaklaşımı 40 yaş üstü kadın oyunculardan esirgeyen Hollywood’da 50 yaşını tamamlayan Pfeiffer’ın da yeni bir döneme girdiğinin haberini veriyor Cheri. Colette’in iki romanından uyarlanan bu filmin çevrilebilmesi için yıllardır uğraşan Jessica Lange’in ilerleyen yaşından dolayı filmden dışlanması, bu vedayı daha da bir gerçekçi ve hüzünlü yapıyor. Cheri’nin, Michelle Pfeiffer’ın tutkulu ve seksi bir kadını oynadığı son film olmamasını umuyoruz.

3 Ocak 2010 tarihinde Akşam Pazar'da yayımlandı

What to watch: Cowboys & chefs in Turkish cinema


Soul Kitchen

The Turkish-German director Fatih Akın returns after his Cannes Best Screenplay winner, Auf der anderen Seite (The Edge of Heaven) of 2007 with a surprising black comedy on food, music and a bunch of eccentric characters. Akın brings actors from his older films, Birol Ünel (Head-On) as the infamously cranky new chef and Moritz Bleibtreu (Solino), as the brother on parole, who turns the otherwise shabby restaurant of Zinos into a hip place with DJs, rock bands, and some aphrodisiac on the menu. The film is co-written by Akın and the leading actor, Adam Bousdoukos.

Who should watch it? Those who have had a taste of wonderfully bizarre characters of Fatih Akın, and his inspiring take on music in his previous movies.

Who should avoid it? Those who are expecting hard-boiled and exhausting cinema in the line of Akın’s previous award-winners, Head-On and The Edge of Heaven.


Yahşi Batı

Arguably the most prolific entertainer in Turkey, the King of Comedy Cem Yılmaz returns with a new hit comedy. The Western spoof Yahşi Batı (Handsome West, a word play on Turkish for Wild West) takes its protagonist from the Ottoman Empire to the Wild West. The leading actor and writer Yılmaz brings most of the cast from his previous two box office hits, G.O.R.A. and A.R.O.G., and reunites with the director of G.O.R.A., Ömer Faruk Sorak, now as the producer as well. Yılmaz plays Aziz, the unlikely mixture of a cowboy and an Ottoman statesman, with full mustache, cowboy boots, and the traditional amulet, ‘muska,’ hanging around his neck in this film with the treasured cliché roles of the Westerns, the town sheriff, American Indians, and even Calamity Jane.

Who should watch it? Cem Yılmaz fans have already bought their advance tickets, and waiting to tell the jokes to anyone who’s willing to listen.

Who should avoid it? Those who are prejudiced about the filmmaker Cem Yılmaz as opposed to the stand-up comedian, and who have raised their voices on the recent A.R.O.G. as not being funny for their taste.

Originally published in Hürriyet Daily News on 1 Jan. 09

What to watch: Serial killers & vampires


Law Abiding Citizen

One of the most memorable villains in recent cinema, Gerald Butler’s Clyde Shelton orchestrates a series of murders while in prison in this twisted blend of serial killer thriller and legal drama. Ten years pass since the brutal murder of Clyde’s wife and little daughter, turning him into a psychopath with revenge on his mind. He decides to take on the whole justice system, killing his high-level targets one by one from his prison cell. The player on the other side of the game is Nick Rice (Jamie Foxx), the prosecutor who let one of the murderers of Clyde’s family have a lighter sentence in exchange with the other’s execution. F. Gary Gray of Italian Job and Be Cool directs.

Who should watch it? The movie hits right at the heart of its demographics, the aficionados of thriller, legal and prison drama.

Who should avoid it? Those expecting a legal drama, mostly falling for its name. The film is rated R for scenes of strong bloody brutal violence, torture, and rape.


Lat den ratte komma In / Let the Right One In

Director Tomas Alfredson and writer John Ajvide Lindqvist (wrote the novel of the same name) bring a twisted take on vampire fiction from Sweden. Bullied by his friends, 12-year-old Oskar finds refuge, love and revenge in Eli, the girl living next door. Strange deaths are somehow connected to Eli, who doesn’t have much of a liking for the sun and food. Kare Hedebrant and Lina Leandersson star as the young duo. The film is set for a Hollywood makeover by Cloverfield director Matt Reeves.

Who should watch it? Those who find a blend of detached Scandinavian cinema and vampire gore an appealing combo.

Who should avoid it? Those who like their vampire fiction sanitized, sexy, stylish, and with Robert Pattinson in it.


Originally published in Hürriyet Daily News on 1 & 8 Jan. 09

What to watch: Women of substance


Amelia

When Amelia Earhart became the first woman to fly across the Atlantic, she became America’s sweetheart and a role model. When she mysteriously disappeared during a mission to fly around the globe in 1937 at the age of 40, she became a legend. Director Mira Nair chronicles Amelia’s life, focusing on her marriage with famous New York publisher George P. Putnam and her relationship with long time friend and lover, pilot Gene Vidal. Oscar-winning Hilary Swank stars in an uncanny resemblance to the legendary aviation pioneer, while Richard Gere and Ewan McGregor play Amelia’s love interests.

Who should watch it? Those interested in epic biopics and those wanting to find out more about one of the most important women in modern history.

Who should avoid it? Most critics have called the film dull, sanitized, conventional and safe in various words.


Cheri

Director Stephen Frears, writer Christopher Hampton, and Michelle Pfeiffer reunite two decades after Dangerous Liaisons in this poignant take on older woman-younger man love story. Adapted from Colette’s two novels of 1920s, the film is set in the early 1900s in France, during the Belle Epoque. Pfeiffer’s Lea is a famous courtesan about to retire now that she is of age. Rupert Friend’s Cheri is the 19-year-old son of a fellow courtesan (charming Kathy Bates). Lea takes Cheri into her country house to teach him the basic necessities of being a man, only to keep him for six years. The mismatched two fall into an unlikely happy relationship, where they head towards the impending doom that is the crises of age the two will have to go through in their own ways. Ironically, Pfeiffer, an actress of 50 in an ageist business, plays a woman whose career comes to an end because of her age.

Who should watch it? Those who like romance on its heavy side on screen, along with lush visuals and beautiful gowns.

Who should avoid it? Those who are expecting yet another Dangerous Liaisons with its sexy edge and the dramatic unfolding.

Originally published in Hürriyet Daily News on 1 & 8 Jan. 2010
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