2011 in Turkish cinema saw political propaganda cede its place to more objective storytelling and directors hone their craft with action/thriller-type films. In 2012, meanwhile, vampires are getting ready to sink their teeth into cinemas
Last year might not have been the most inspirational one in Turkey’s cinematic history, but it saw the biggest number of movies released in 20 years. There were the obligatory award-winning art house movies, and the mainstream comedies aiming for cheap laughs.
But 2011 was also the year political propaganda gave way to a more refined method of storytelling in regard to Turkey’s recent history. 2011 also saw some directors try their craft in action/thrillers to impressive effect. Here’s a look at some examples of the trends in 2011 films, though there were many more that could have made our list.
Click here for full article (Hürriyet Daily News)
Showing posts with label Yangin Var. Show all posts
Showing posts with label Yangin Var. Show all posts
The year of politics and thrillers in Turkish cinema
Arayan bulur:
2011,
40,
cinema,
Emrah Guler,
Gelecek Uzun Sürer,
Labirent,
Oğul,
Press,
Teyzem,
Turkish cinema,
Yangin Var
‘In Flames’ tackles tough issues
Director Murat
Saraçoğlu’s ‘Yangın Var’ (In Flames) tackles the Turkish-Kurdish
conflict in a comedy that does not aim for cheap laughs but shows the
nonsensical nature of prejudices and ignorance
When the Turkish government made known that the Turkish-Kurdish conflict was no longer a taboo subject and it was open for discussion for a peaceful resolution less than a decade ago, Turkey’s filmmakers were quick to jump on the bandwagon and contribute to the resolution.
History was made two years ago when the biggest cinema event in Turkey, the Golden Orange Film Festival, included in its lineup of films for the National Competition two films in Kurdish, İki Dil Bir Bavul (On the Way To School) and Min Dit: The Children of Diyarbakır.
The government’s undertakings to include greater cultural rights and freedom for Kurds and put an end to separatist notions took two different directions in Turkish cinema. While mainstream cinema was less condemning and more sympathetic toward the past, an independent Turkish cinema by Kurdish filmmakers promised fresh cinema, with distinctive voices, aiming straight at the heart of problems.
Click here for full article (Hürriyet Daily News)
When the Turkish government made known that the Turkish-Kurdish conflict was no longer a taboo subject and it was open for discussion for a peaceful resolution less than a decade ago, Turkey’s filmmakers were quick to jump on the bandwagon and contribute to the resolution.
History was made two years ago when the biggest cinema event in Turkey, the Golden Orange Film Festival, included in its lineup of films for the National Competition two films in Kurdish, İki Dil Bir Bavul (On the Way To School) and Min Dit: The Children of Diyarbakır.
The government’s undertakings to include greater cultural rights and freedom for Kurds and put an end to separatist notions took two different directions in Turkish cinema. While mainstream cinema was less condemning and more sympathetic toward the past, an independent Turkish cinema by Kurdish filmmakers promised fresh cinema, with distinctive voices, aiming straight at the heart of problems.
Click here for full article (Hürriyet Daily News)
Arayan bulur:
cinema,
Emrah Guler,
In Flames,
Koray Caliskan,
Murat Saracoglu,
Turkish cinema,
Yangin Var

