Showing posts with label Sonbahar. Show all posts
Showing posts with label Sonbahar. Show all posts

Turkish cinema asks: Which human rights?


Celebrating global Human Rights Day, here is a look at human rights violations in recent history with a brief journey through Turkish cinema. Hunger strikes, political prisoners, war in southeastern Turkey and disappearances in custody are some of the subjects of these films

Today is Human Rights Day across the globe, the day we celebrate the proclamation and adoption of the Universal Declaration of Human Rights. For many in Turkey there isn’t all that much to celebrate these days considering the hunger strikes, imprisoned journalists, disappearances in custody and a growing perception that the rule of law is no longer the norm.

Perhaps the best way to take a look at human rights in Turkey - or rather the violation of human rights - is to remember some of the feature films and documentaries that have brought some of these violations into the spotlight in recent memory.

The obvious first choice is journalist Ruhi Karadağ’s documentary Simurg (Simurgh), currently on release in theaters. The film focuses on hunger strikes, an issue that recently made the news, although the recent hunger strikes were different to the ones shown in the movie. What’s more, the recent ones did not end up with an infamous operation in which police and soldiers broke into prisons to halt the strikes.

Click here for full article (Hürriyet Daily News)

Searching for elegies in ‘Future Lasts Forever’

Having impressed the audience with his debut feature, director Özcan Alper shows that waiting is worth while with his second feature. ‘Gelecek Uzun Sürer’ (Future Lasts Forever) is a harrowing journey into the heart of the war in southeastern Turkey, not through political propaganda but through powerful human stories. 
 
For those who had watched Sonbahar (Autumn), the inspiring debut feature from director and writer Özcan Alper that was released two years ago, his next feature had become the source of some true anticipation.

In Sonbahar, Alper took the audience to the Black Sea region, where his hometown is, and told the heartbreaking tale of a political prisoner released after a sentence of 10 years. The film was beautifully shot with real characters, some played by local amateurs, grasping the audience at once from the screen.

For some, Alper was already a promising name with two bizarrely-titled documentaries: Tokai City’de Melankoli ve Rapsodi (Melancholy and Rhapsody in Tokai City) and Bir Bilimadamıyla Zaman Enleminde Yolculuk (Travels On Time Continuum with a Scientist), as well as the critically-acclaimed short film Momi.

Click here for full article (Hürriyet Daily News)
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